
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Reverb.com
Other / Modern / year unspecified
€386
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Reverb.com ↗Buy with our assistance →Last observed 11 Sept 2026. Last verified as available on the seller's page 5 Nov 2026. Confirm current availability with the seller.
From the listing
FUZZThe Fuzz Factory 7, a new take on our original company flagship Fuzz Factory. The Fuzz Factory 7 features a 9-position rotary sub switch that opens the pedal up to an astounding new bottom end as well as thin, reedy fuzzes. This means the pedal can oscillate at much lower registers as well has higher ones. The fuzz works equally well with both guitar and bass signals. There’s also a second stomp switch and an associated tone control. This passive tone control operates much the way the one on your guitar does, and when the stomp switch is activated it will let you roll off the high end of the fuzz sound so you can mellow out the tone if you like.The controls of the Fuzz Factory 7 are arranged in a circle around a Lexan window that reveals two NOS 1960s GT308 germanium transistors (from Ukraine), individually hand-tested for the perfect gain range and low leakage. These rare and magnificent-sounding transistors are illuminated by LEDs when the pedal is engaged.SUBS SWITCH: The Fuzz Factory 7 has two new knobs (when compared to the original Fuzz Factory.) One of these, located at the 5 o’clock position, is a nine-position rotary switch that controls the internal tone of the fuzz, getting fatter and subbier to the left and thinner and reedier to the right. This switch will obviously change the oscillation range of the pedal as well, when the other knobs are set to an oscillating or squealing tone. Around the middle you’ll find the original Fuzz Factory setting.KNOBS: Although the six main control knobs are named for the parameters over which they seem to have the most control, please don’t hold us to it. They are controls for various operating levels and biases, and basically shape you a personalized fuzz.VOL: Controls output volume.GATE: Squelches noise after end of sustain. Turn to right to eliminate squeals, hiss and buzz, stopping just as they disappear, or use to tune in exact feedback pitch, if you’re that kind. Turning to left opens gate.COMP: Adds attack cha
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Other · Acoustic guitar
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