
Other · Acoustic guitar
1988 · vintage, per listing
D'Aquisto 1988 New Yorker Classic, Oval Hole 18" #1204
$150,000
Rudy’s Music · US

Listing photo · Rudy’s Music
Other / 1979 · vintage, per listing
$450,000
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Rudy’s Music ↗Buy with our assistance →Last observed 28 Oct 2026. Confirm current availability with the seller.
From the listing
Few things delight Rudy more than having guitars in the shop made by his favorite archtop builders: D'Angelico, D'Aquisto and Monteleone. This time he's over the moon because we have a rare offering from one of these master luthiers: a matched pair by Jimmy D'Aquisto, with a gorgeous "Merlot" finish unique to these guitars. We are selling these two instruments as a pair. They have had only one owner, who commissioned them to be built in the 1970s. Rudy has known about these guitars for many years and is thrilled to finally have them in the shop. He'd love to chat more with serious buyers, so if you can't make it to our shop in-person, give us a call to talk to Rudy about these masterpieces. Here is the story of the Merlot guitars, as told by their owner: “As a young graduate student, I poured my passion for the guitar into a constant desire to refine and upgrade the instruments I owned. In 1976, during a trip to New York City, I drove out to Huntington Station, Long Island, to visit Jimmy’s shop and meet the renowned maker himself. The moment I stepped inside, I heard a single note ring out from a 7-string guitar he had just completed. It stopped me in my tracks—I felt as though I were in the presence of something almost mystical, a physical embodiment of pure sound. After a long and engaging conversation with Jimmy, I made a decision on the spot. I endorsed a check for $500—every dollar I had at the time—as a down payment on a 17-inch New Yorker Excel. I was convinced that once I received what I believed would be the finest guitar ever made, I would never again feel the need to own another. Over the next two years, I took on odd jobs and research work to save enough money to pay for #1114. During frequent visits to Jimmy’s shop in Farmingdale, I had the rare privilege of watching my guitar slowly come to life.When the time came to choose the finish color, I brought a bottle of Beringer Merlot to the shop. Holding a glass up to the sunlight, we studied its d
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