
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US
Listing photo · Humbucker Music
Other / Modern / year unspecified
$2,895
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Humbucker Music ↗Buy with our assistance →Last observed 29 Oct 2026. Confirm current availability with the seller.
From the listing
The Vintage Sound Vintage 40mvp is here! The Fender AB763 40-watt circuit is behind some of the most coveted Fender tones of all time. This dual 6L6 blackface circuit was in the Vibroverb, Pro Reverb, Super Reverb, and Bandmaster. Fact is, 99% of the difference between these amps was speaker configurations. The Vibroverb was a 1x15, the Pro Reverb was a 2x12, the Super Reverb was a 4x10, and the Bandmaster was just a head. Notice anything missing? Right! Fender never made a 1x12 combo! Hard to believe... They had an AB763 that was a 1x12, but it was only 22 watts (Deluxe Reverb). If you wanted that fat, thick 6L6 tone, you HAD to use one of the configurations above. The Vintage Sound 40mvp addresses that, but with bonuses! We'll get to the bonuses later. Of course, these original combos were large. Being a single 1x12 combo, the 40mvp is housed in a smaller Deluxe Reverb sized chassis. The cabinet is also sized like the Deluxe Reverb, but we made it one inch taller, and one inch deeper for better bass response. The faceplate of the Vintage 40mvp is also smaller, leaving no room for the Normal/Bright switches. To address this Vintage Sound uses a high-end push/pull pot for the Volume control. By default it uses Normal voicing, and when pulled it engages the Bright voicing. So what about these bonuses? When modifying vintage circuits you have to be very careful to do so in a manner that does not alter the tones in a bad way. The Vintage 40mvp includes some well used mods that bring more to the table than the stock circuits. 1) Channel 1 on all Fender style amps (normal channel) has an identical tone stack to Channel 2 (vibrato channel). The only difference in Channel 1 and Channel 2 is that Channel 2 has reverb and vibrato effects. Because Channel 1 is mostly unused and is a redundant channel, it's been re-voiced with a mild high gain mod. This makes Channel 1 perform as if using a compression pedal but with a much more natural tone because the effect is
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