
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US
Listing photo · Humbucker Music
Other / Modern / year unspecified
$2,195
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Humbucker Music ↗Buy with our assistance →Last observed 28 Oct 2026. Confirm current availability with the seller.
From the listing
The Vintage Sound Vintage 20 is a slightly stepped up version of the Vintage 15. Like the Vintage 15, it's essentially an all hand-wired, all USA made, super-modified Fender Princeton Reverb. It's based on the "blackface" Fender Princeton Reverb (AA1164) used from 1964-1967, but with several major and significant upgrades (read more below). The Vintage 20 has a considerable amount of warm, clean headroom, and noticeably more than a typical blackface Princeton Reverb. It will easily hold it's own again any Deluxe Reverb out there. Players from all genres LOVE this amp - from Blues, to Country, to Rock! Tell Us About the Upgrades! 1) The most obvious difference is the 12" speaker upgrade. The Princeton Reverb came with a 10" stock speaker, and many people modded them to replace the 10" baffle with a 12" so they could get a standard sized speaker in there. (more on the speaker we chose below) 2) The reverb circuit is vastly upgraded. The stock reverb on a Princeton was a small 9" pan spring reverb. The Vintage 20 uses a large 17" spring reverb pan that's the same size as the one used in the Twin Reverb! The reverb circuit also includes a very nifty reverb dwell control on the rear of the chassis for varying the decay time. 3) A "MIDDLE" tone control has been added that Princeton Reverb amps didn't have. This addition does nothing to hurt the integrity of the circuit or tone. The original Fender circuit actually had a "fixed mid" that was set permanently at 6.8k. Vintage Sound removed this resistor from the circuit and replaced it with a much more versatile 10k pot. You now have the ability to adjust this frequency range without compromising the original tone. If you want it to sound precisely like a blackface Princeton Reverb, just turn the port to around one o'clock on the dial and you're there. You want to scoop the mids a touch, pull back. Warm the tone a bit, turn up. 4) The addition of a Standby Switch. The original Princeton Reverb didn't have one
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