Vemuram Butter Machine Overdrive/Distortion

From the listing

Seller's description

From Vemuram: "The “Butter Machine” was developed in collaboration with Michael Landau to create his ideal distortion pedal. We have made countless prototypes, which took more than 2 years in R&D. Having Michael use the prototypes at his sessions and on tour, we were able to hear his direct feedback and aim straight for his ideal driven tone. In addition, new ideas were implemented, and various improvements were made by testing the prototypes at his recording sessions and at his home studio in Los Angeles as well. As a result, we were able to create a “new type" of distortion pedal that is user-friendly and wide in range. It allows you to control your picking nuance and dynamics, and the drive goes from overdrive to full-on distortion effortlessly. Please enjoy the "Butter Machine”. 【The story behind the Butter Machine by Michael Landau】 "I’ve been using Vemuram pedals for over 10 years starting with the Jan Ray Overdrive. And over the years, Daiya and Shingo have become good friends during my many tours in Japan. The Vemuram pedals have always been in a class of their own in my opinion. All of their pedals have that big, bold Vemuram sound. And the company has the highest level of integrity regarding the way the pedals are designed and built. In the past I’ve used an Ibanez SD9 as my high gain pedal, it was my main distortion pedal for many years, but I’ve always had a bit of a love-hate relationship with the pedal. It can be shrill and overly compressed if it’s not dialed in just right… So a couple of years ago I asked Daiya if he could design a distortion pedal that had the positive sonic qualities of the SD9, but without the overly compressed, high-end harshness. Daiya and I have spent many months listening to several prototypes that he designed, experimenting with them and making improvements. We used the SD9 as a starting point but of course this new Vemuram distortion pedal is a higher grade unit with many improvements. Besides the Gain, Volume and Tone kn