
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · The Music Emporium
Other / Modern / year unspecified
$449
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at The Music Emporium ↗Buy with our assistance →Last observed 28 Oct 2026. Confirm current availability with the seller.
From the listing
Most EQ pedals are tools. You buy one because something in your rig needs fixing, and you leave it off until it does. The EQDELUXE is a different proposition, and it comes by that honestly, because it's modeled on a piece of gear nobody ever described as a utility. The Pultec EQP-1A is a passive tube equalizer from the 1950s that ended up in essentially every serious studio on earth, and it earned that spot not by being surgical but by being flattering. Engineers patch a Pultec in and leave it in, sometimes with the controls barely moved, because the unit itself does something to the signal on the way through. Origin Effects has spent a decade building pedals that chase studio-rack behavior rather than pedal behavior, and this is the most literal expression of that yet. Two things carry it. The first is the low-end trick, which is the Pultec's famous party piece: boost and cut the same low frequency band at once, and instead of cancelling out you get a curve with real weight underneath and a cleaned-up spot just above it. Bass gets bigger without getting muddy, which is a combination that shouldn't work and does. On guitar it thickens up a thin single-coil rig without the woolly low mids you'd normally trade for that. The second is the output stage. The original Pultec runs a push-pull valve makeup amp after the EQ section, and a good chunk of the "just plug through it" reputation comes from that stage rather than the filters. Origin recreated it in solid state, which gives you a controlled saturation that gets richer as you push it. This is where the pedal stops being an EQ and starts being something you leave on. The rest is well chosen. The mid band is inductor-based with frequencies picked specifically for bass and guitar rather than borrowed from a mixing desk. The high band is voiced toward warmth, with a broad attenuation range for taking the edge off a bright amp or a hot bridge pickup. Nothing here goes ugly at the extremes, which is not something you c
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Other · Acoustic guitar
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