
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Fair Deal Music
Other / Modern / year unspecified
£129
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Fair Deal Music ↗Buy with our assistance →Last observed 28 Oct 2026. Confirm current availability with the seller.
From the listing
Quick Product Summary The Orange Getaway Driver Guitar Pedal brings the sound and feel of a driven vintage Orange amplifier to your pedalboard, delivering everything from edge-of-breakup warmth to thick, aggressive classic-rock overdrive. Designed as an amp-in-a-box style overdrive, the Getaway Driver uses a high-voltage circuit to provide extra headroom, dynamic response and natural compression. Three straightforward controls — Volume, Bite and Gain — make it easy to dial in convincing Orange-flavoured drive without complicated menus or excessive switching. The clever part is that it goes far beyond a conventional overdrive. A dedicated CabSim headphone/line output lets you record directly, practise silently or send an emulated guitar-cabinet signal to compatible live equipment, while an internal mode switch allows the Getaway Driver to operate as a more complete preamp for power amps and effects returns. At A Glance Feature | Details | Brand | Orange | Model | Getaway Driver | Product Type | Overdrive / amp-in-a-box pedal | Controls | Volume, Bite, Gain | Main Character | Vintage Orange-style amp overdrive | CabSim | Dedicated headphone / line output | Operating Modes | Pedal and preamp | Power | 9–12V DC | Current Draw | 30mA at 9V / 40mA at 12V | Main Appeal | Amp-like Orange gain with direct-output flexibility | Best For | Classic rock, blues-rock, indie, alternative, recording and compact rigs | What's Included? Orange Getaway Driver Guitar Pedal Why Choose The Orange Getaway Driver? Vintage Orange Amp Character In Pedal Form The Getaway Driver is designed around the response of a heavily driven 1970s-style Orange amplifier. Rather than producing a generic smooth overdrive, it has a more characterful British voice with plenty of growl, harmonic texture and natural-feeling compression. From Edge Of Breakup To Full Overdrive The Gain control covers a useful range rather than forcing the pedal into one extreme sound. Lower settings work wel
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