
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Chicago Music Exchange
Other / Modern / year unspecified
$129
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Chicago Music Exchange ↗Buy with our assistance →Last observed 26 Oct 2026. Last verified as available on the seller's page 27 Oct 2026. Confirm current availability with the seller.
From the listing
INSTANT TONES. SMALLER FOOTPRINT. SMALLER PRICE. In 2016 we released Andy Timmons' signature overdrive, the AT — or as everybody ended up calling it, "the @." It started in 2013 when Andy bought a JHS Angry Charlie and made it his main lead channel, beating out the distortion channels of the boutique amps he's known for. We met at NAMM, discussed some ideas for his own version, and soon after, the AT was born. The AT Mini is the original V1 AT circuit, permanently set in Andy's preferred 100-watt mode — the open, loud, less-compressed voicing with the most volume and the most amp-like crunch. No toggle. Just the setting the guy whose name is on the pedal uses. If you need the most authentic British distortion lead and rhythm sound you can find — one that perfectly replicates the punch, saturation, and unmistakable feeling of standing in front of a stack of loud amplifiers — this is it. WHAT'S DIFFERENT: This is the same exact circuit as the V1. Same four knobs. Smaller box, smaller price. FIRST: We put it in a new enclosure — a compact case that gives you back valuable board real estate. SECOND: We removed the wattage toggle and set the voicing to 100 watts. THAT'S IT: Volume, Drive, EQ, and Air all work exactly as they always have. CONTROLS VOLUME – Controls the output volume. DRIVE – Controls the amount of drive and gain, just like a tube amp being cranked at high volumes. Wide range from high-gain blues to thunderous distortion. EQ – A high pass filter that naturally brightens or darkens the overall tone of the pedal. Right is brighter, left is darker. AIR – Just like the presence knob on an amp, this lets you dial in the perfect amount of high end for compatibility with any amp. Right is brighter, left is darker. JACKS INPUT – 1/4" right jack. OUTPUT – 1/4" left jack. POWER – Requires 9VDC to 18VDC center negative power and consumes 10mA. SPECS True bypass switching Four controls: Volume, Drive, EQ, Air Fixed 100-watt voicing 9VDC to 18VDC cen
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