
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Sound Affects
Other / Modern / year unspecified
$257
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Sound Affects ↗Buy with our assistance →Last observed 28 Oct 2026. Confirm current availability with the seller.
From the listing
EarthQuaker Devices is proud to introduce you to your new best bud, Gary. This little big guy was dreamt up by the one and only Lee Kiernan from the crushing and most necessary band, Idles! Gary started as a simple request to create a compact version of the now discontinued Gray Channel, which was a mainstay on Lee’s board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more, Gary after dark, Saturday night Gary. So, we sat him down and began the trek of figuring old Gare-Bear out once and for all. The result is a real exercise in light and dark; smooth to shredded and everything in between. Main Features: Developed with Lee Kiernan from the band IDLES! Dynamic and destructive pulse width modulated fuzz paired with a natural-sounding op-amp overdrive Fuzz pulse width modulation is dynamically controlled either by using the on-board envelope or an external expression control Overdrive section from the legendary and sought-after Gray Channel, capable of producing thick, full distortion or for use as a clean boost All-analog signal path True bypass Silent relay-based switching with Flexi-Switch® Technology Fuzz Input Impedance: 1 M ? Fuzz Output Impedance: <1K ? Overdrive Input Impedance: 500K ? Overdrive Output Impedance: <1K ? Made in Akron, Ohio, USA Powered by regular 9 V DC PSU Gary’s right brain consists of a dynamic and destructive fuzz that is both domineering and interactive. It is a ripping fuzz tone with an envelope-controlled variable pulse width and enough volume to blow everything up. This nasty little fuzz turns the signal into a square wave and allows you to dynamically adjust the duty cycle with pick attack. Yes! Controls the sensitivity of the envelope. When this is all the way down you will get an unadulterated thick and heavy square wave fuzz tone that will sustain for days and go dead quiet when you stop playing. As you increas
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Other · Acoustic guitar
1979 · vintage, per listing
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Rudy’s Music · US

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