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Gamechanger Audio Noise Pedal Broadband Signal Multiplier

Listing photo · Found Sound

Other / Modern / year unspecified

Gamechanger Audio Noise Pedal Broadband Signal Multiplier

A$449

Seller's listed price. Shipping, import charges and taxes may apply.

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Last observed 9 Nov 2026. Confirm current availability with the seller.

Brand in listing
Other
Category
Effects unit
Condition
New
Source country
AU
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From the listing

Seller's description

Gamechanger Audio’s Noise Pedal is a broadband signal multiplier that combines a selectable noise source with drive and reverb processing. Begin with white noise, then explore 30 additional noise engines spanning digital glitches, electrical sounds and organic textures including wind, thunder and fire. Each engine forms the basis of the pedal’s processing, meaning changes to the noise source directly affect the character and behaviour of both the drive and reverb sections. Shape the selected noise texture before processing using the Chaos, Strength and Spectrum controls, then route it into Noisedrive and Noiseverb. With no instrument connected, the Noise Pedal can also operate as a standalone noise generator, allowing the noise engines to be explored and played as instruments in their own right. Via its 3.5 mm MIDI connection, the Noise modes can also be played as a paraphonic noise synth engine. Noisedrive Noisedrive cross-pollinates your instrument signal with the selected noise source, transferring the noise engine’s textures to your sound. It offers three processing styles: Osc — Turns the noise engine into a pitch-tracking oscillator that follows your playing, using LFSR, noise oscillators and more. Freq — Breaks down both your signal and the noise source into frequency content, then recombines them through FFT, spectral modulation, vocoding, formant shifting and timbral shaping. Wave — Multiplies your signal and the noise source in the time domain, using AM, ring modulation, wavefolding, waveshaping and more to reshape the waveform directly. The green Drive Page provides four controls: Method — Select from 20 multiplication methods within each processing style, for a total of 60 methods. Amount — Positive settings add drive to the instrument signal, while negative settings replace the signal with noise. Sustain — Positive settings create long, exaggerated sustain; negative settings produce a fast, sharply articulated response suited to drums and perc

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