
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Reverb.com
Other / Modern / year unspecified
€2,808
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Reverb.com ↗Buy with our assistance →Last observed 9 Nov 2026. Confirm current availability with the seller.
From the listing
JEL-50 Head Jake E. Lee ranks high on the shortlist of influential gunslinger guitarists who emerged as the heroes of a new generation in the early '80s. Best known for his burning guitar work and innovative songwriting, Lee contributed to two of Ozzy Osbourne's most revered albums, 1983's Bark at the Moon and 1986's Ultimate Sin. Jake E Lee and Dave Friedman combined their legendary ears and talents to create the new Friedman JEL-50, a signature amplifier that offers Lee’s ultimate tones in a boutique hand-wired package. Signature Amplifier Offering Lee's ultimate tones in a powerful 50-watt package. Signature Colors Designed to cosmetically match the Friedman Signature Jake E Lee 2×12 cab. Signature Sound Embracing the athleticism of the '80s while remaining firmly rooted in the hard rock fundamentals of the '70s. With Ozzy, his post-Ozzy band, Badlands and most recently, with his own group, Red Dragon Cartel, Lee’s playing embraced the athleticism of the '80s while remaining firmly rooted in the hard rock fundamentals of the '70s. Jake's tonal choices provide the evolutionary glue between the sonics of those two great eras. Two Specific Tones In Lee's own words, "This amp puts the two specific tones I use to create my sound in one head: The sweetness and warmth of a classic Plexi and the more aggressive slant of the master volume amps of the '80s — all tweaked to my taste. Dave has an innate understanding of where I'm coming from as a player and we're alike in the way we hear tones. Dave doesn't hear things as a technician, he hears things like a musician, and that made him really easy to work with. I grew up in the '70s and those muscular, articulate rock tones were the tones I always sought, but I made a name for myself in the '80s when you needed a little more aggression and a little more scream. I’ve always tried to retain a little of that '70s heart and I still do, and that’s what this amp does — though it’s got plenty more on tap if you need it!".
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