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EarthQuaker Gary Guitar Overdrive Effects Pedal

Listing photo · Chuck Levin’s Washington Music Center

Other / Modern / year unspecified

EarthQuaker Gary Guitar Overdrive Effects Pedal

$199

Seller's listed price. Shipping, import charges and taxes may apply.

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Last observed 28 Oct 2026. Confirm current availability with the seller.

Brand in listing
Other
Category
Effects unit
Condition
Not specified by the source
Source country
US
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From the listing

Seller's description

Unleash Rich Overdrive Tones - The EarthQuaker Gary Guitar Overdrive Effects Pedal EarthQuaker Devices is proud to introduce you to your new best bud, Gary. This little big guy was dreamt up by the one and only Lee Kiernan from the crushing and most necessary band, Idles! Gary started as a simple request to create a compact version of the now discontinued Gray Channel, which was a mainstay on Lee’s board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more, Gary after dark, Saturday night Gary. So, we sat him down and began the trek of figuring out old Gare-Bear once and for all. The result is a real exercise in light and dark; smooth to shredded and everything in between. Developed with Lee Kiernan from the band IDLES! Dynamic and destructive pulse width modulated fuzz paired with a natural-sounding op-amp overdrive. Fuzz pulse width modulation is dynamically controlled either by using the on-board envelope or an external expression control. Yes controls the sensitivity for the envelope or sets the pulse width limit when using an expression pedal. Oosh is the master volume for the fuzz. Overdrive section from the legendary and sought-after Gray Channel, capable of producing thick, full distortion or for use as a clean boost. Go is the gain control for the overdrive. That’s It is the master volume for the overdrive. All-analog signal path True bypass Silent relay-based switching with Flexi-Switch® Technology Gary’s right brain consists of a dynamic and destructive fuzz that is both domineering and interactive. It is a ripping fuzz tone with an envelope-controlled variable pulse width and enough volume to blow everything up. This nasty little fuzz turns the signal into a square wave and allows you to dynamically adjust the duty cycle with pick attack. Yes! controls the sensitivity of the envelope. When this is all the way down you will

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