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EarthQuaker Devices Gary Automatic Pulse Width Modulation Fuzz/Overdrive Pedal

Listing photo · Chicago Music Exchange

Other / Modern / year unspecified

EarthQuaker Devices Gary Automatic Pulse Width Modulation Fuzz/Overdrive Pedal

$199

Seller's listed price. Shipping, import charges and taxes may apply.

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Last observed 26 Oct 2026. Confirm current availability with the seller.

Brand in listing
Other
Category
Effects unit
Condition
New
Source country
US
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From the listing

Seller's description

Gary: Automatic Pulse Width Modulation Fuzz and Dynamic Natural Overdrive EarthQuaker Devices is proud to introduce you to your new best bud, Gary. This little big guy was dreamt up by the one and only Lee Kiernan from the crushing and most necessary band, Idles! Gary started as a simple request to create a compact version of the now discontinued Gray Channel, which was a mainstay on Lee’s board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more, Gary after dark, Saturday night Gary. So, we sat him down and began the trek of figuring old Gare-Bear out once and for all. The result is a real exercise in light and dark; smooth to shredded and everything in between. Gary’s right brain consists of a dynamic and destructive fuzz that is both domineering and interactive. It is a ripping fuzz tone with an envelope-controlled variable pulse width and enough volume to blow everything up. This nasty little fuzz turns the signal into a square wave and allows you to dynamically adjust the duty cycle with pick attack. Yes! Controls the sensitivity of the envelope. When this is all the way down you will get an unadulterated thick and heavy square wave fuzz tone that will sustain for days and go dead quiet when you stop playing. As you increase the Yes! control, the envelope becomes more interactive, and the pulse width narrows the harder you hit it.  As the pulse width narrows, the tone becomes more nasal and biting until it gets so narrow that Gary goes to his dark place and disappears completely. In other words, with higher sensitivity settings, the sound will disappear entirely and come cruising back to Gary’s big guy tone. With proper playing dynamics, this creates a very cool effect that can sound like an exploding amp coming in and out of life, blown through a phase shifter. This effect can also be controlled with an expression pedal for manual operation

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