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EarthQuaker Devices Gary Automatic Pulse Width Modulation Fuzz & Dynamic Natural Overdrive

Listing photo · Fair Deal Music

Other / Modern / year unspecified

EarthQuaker Devices Gary Automatic Pulse Width Modulation Fuzz & Dynamic Natural Overdrive

£179

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Last observed 28 Oct 2026. Confirm current availability with the seller.

Brand in listing
Other
Category
Effects unit
Condition
New
Source country
GB
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From the listing

Seller's description

The EarthQuaker Devices Gary is a dual fuzz and overdrive pedal created in collaboration with Lee Kiernan of IDLES, combining a responsive pulse-width modulation fuzz with a natural-sounding op-amp overdrive. The fuzz side turns your signal into a square wave and uses an envelope to dynamically change its pulse width according to your picking attack. It can move from thick, sustaining fuzz to nasal, gated, glitchy and disappearing textures simply by changing how hard you play. Alongside it is an independently switchable overdrive derived from the green channel of EarthQuaker Devices’ discontinued Gray Channel, covering everything from full-range clean boost to smooth, full-bodied distortion. At A Glance Feature | Details | Brand | EarthQuaker Devices | Model | Gary | Product Code | EQDGARYV1USA | Type | Dynamic Fuzz & Overdrive Pedal | Condition | New | Collaboration | Lee Kiernan of IDLES | Fuzz Type | Envelope-Controlled Pulse Width Square-Wave Fuzz | Overdrive Type | Natural Op-Amp Overdrive | Fuzz Controls | Yes!, Oosh | Overdrive Controls | Go, That's It | Independent Footswitches | Yes | Expression Control | Fuzz Envelope / Pulse Width Response | Bypass | Relay-Based True Bypass | Switching | Flexi-Switch® | Current Draw | 20mA | Power | 9V DC Centre Negative | Best For | Alternative, noise rock, punk, experimental, indie and aggressive guitar tones | What Makes The EarthQuaker Devices Gary Special? Gary effectively puts two very different gain pedals into one enclosure. The left side provides a straightforward but highly dynamic op-amp overdrive that can act as a clean boost, crunchy rhythm drive or smooth distortion. The right side is much less conventional, using an envelope-controlled square-wave fuzz whose pulse width reacts directly to your playing dynamics. Both sides can be used independently or together, giving you everything from natural amp-pushing drive to heavily gated, sputtering and unpredictable fuzz textures. Dynamic

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