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EarthQuaker Devices Chelsea Low End Fuzz Driver Pedal Reseda Green

Listing photo · Chicago Music Exchange

Other / Modern / year unspecified

EarthQuaker Devices Chelsea Low End Fuzz Driver Pedal Reseda Green

$179

Seller's listed price. Shipping, import charges and taxes may apply.

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Last observed 26 Oct 2026. Confirm current availability with the seller.

Brand in listing
Other
Category
Effects unit
Condition
New
Source country
US
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From the listing

Seller's description

With only three controls, this deceptively powerful pedal offers you everything from light overdrive to full on distortion with clarity and blissful grinding. A Tone On/Off switch allows you remove the Tone control from the circuit, opening up a whole new world of midrange grind. Switch it off for a simplified and straightforward attack or leave it on for a full-bodied distortion with loads of low-end with a slight natural scoop. Roll up the Sustain for wall-shaking bass notes or sustaining lead and adjust the Tone for a wild and wide frequency response from aggressive top end to low-end rumble. Design Notes Sometimes pedals can change. Parts drift, pots break, transistors go bad. They go to new homes; they get neglected and resold. Sometimes people get in there and try to revive them to their original state and sometimes they just throw whatever is laying around inside and hope it does the trick. In this case, we’re pretty sure all the above happened to the fuzz pedal that made its way to James Murphy and ended up finding a forever home with LCD Soundsystem. This particular pedal really does have something special. It’s heavy without being too heavy, clean but not too clean. A simple set of controls yet it has an expansive array of tones that makes it very versatile on a wide variety of instruments. It has clarity when you need it and can blur all discernible lines when you don’t. It still retains the familiar foundation of the classic fuzz it was intended to be but something special happened to it over the years and it has very much grown into its own thing. I’m going to guess that you have heard this pedal. It has been the chosen bass fuzz for several LCD recordings and has traveled around the world with them. I’d say that it is a prized possession, a real one-of-a-kind pedal. It has been beat up and taped back together. It looks like it shouldn’t work but it always delivers. It is old, it is fragile, and it sounds massive. Too good to retire yet too tired to kee

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