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Earthquaker Devices Aqueduct Vibrato

Listing photo · Chicago Music Exchange

Other / Modern / year unspecified

Earthquaker Devices Aqueduct Vibrato

$179

Seller's listed price. Shipping, import charges and taxes may apply.

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Last observed 26 Oct 2026. Last verified as available on the seller's page 28 Oct 2026. Confirm current availability with the seller.

Brand in listing
Other
Category
Effects unit
Condition
Used
Source country
US
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From the listing

Seller's description

This item is in excellent working condition and barely used. From Earthquaker Devices: Aqueduct™ is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye. The controls are simple. Rate (1) adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth (2) controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode (3) selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation and make Aqueduct adaptable to nearly any musical situation. Sine: The smoothest and most subtle of all waveforms, sine waves are most commonly associated with classic amp-like vibrato. Plug in, turn on, and commence the Chooglin’. Triangle: Triangle waves have a sharper rise and fall than sine waves with a more pronounced pitch bend at the peak of each LFO cycle. Ramp: Like a triangle wave with a twist. The Ramp waveform has a sharp sonar pulse followed by a rapid downward slope with a synthesizer-like sustain and release. This is where things start to get a little weird. Square: Square waves are the most rigid and abrupt of the waveforms. Rather than gliding smoothly between pitches, square waves produce an instant on-or-off transition between notes. Use this mode for trills when you get tired of doing hammer-ons and pull-offs. Random: This waveform isn’t a waveform at all as much as it’s a drunken master of modulation who slurs your notes into an unpredictable assortment of greasy pitch-bends before disappearing at last call and leaving you stuck with the tab. It has a “warped record” effect at low Depth settings and becomes sloppier and more randomized as y

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