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Dunlop Mick Ronson Cry Baby Wah Guitar Effects Pedal

Listing photo · Chuck Levin’s Washington Music Center

Other / Modern / year unspecified

Dunlop Mick Ronson Cry Baby Wah Guitar Effects Pedal

$266

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Last observed 28 Oct 2026. Confirm current availability with the seller.

Brand in listing
Other
Category
Effects unit
Condition
Not specified by the source
Source country
US
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From the listing

Seller's description

Unleash Iconic Wah Sounds - The Dunlop Mick Ronson Cry Baby Wah Guitar Effects Pedal The Mick Ronson Cry Baby Wah taps into the vibrant, melodic character of one of rock ’n’ roll’s most gifted songwriters. Few guitar players have been able to combine a keen musical instinct with a profound grasp of how to bring a composition together like Mick Ronson. Laden with expressive resonance, his arrangements layered deliberately chosen tones and textures to build exquisite melodies and powerful riffs. The Cry Baby Wah, set in a fixed position to serve as a filter, was key to the tone-shaping vision that Ronson used to transform the face of popular music through his work with David Bowie and many others as both an artist and a producer. Tailor-made for Ronson’s signature fixed-wah tones Carefully spec’d from his own wah pedal Custom inductor replicates higher frequency response and subtler peak Fast initial sweep with Instant reactivity Distinctive EQ curve from period-accurate components Special finish inspired by Ronson’s monumental work We wanted to make that incredible Cry Baby Wah sound available to all players, and legendary producer Bob Rock—a friend and collaborator of Ronson’s—was there to help. He generously loaned us Ronson’s own Cry Baby Wah pedal, an early Italian-made model whose vintage components imbue it with a truly singular sound. Using it as a filter in a fixed position, Ronson recorded many tracks with this pedal, and Rock would go on to use it when recording numerous other artists. With matched specs, tightened tolerances, and a custom inductor, our engineers have recreated this truly special sound. “You place the wah, and leave it there, and that's the tone,” Rock says. “It's all over every record he ever made, and I’ve used it on every record since I got it. Dunlop’s engineers spent the time and sent me the prototypes, and we nailed that sound.” To capture all of the nuance and detail responsible for Ronson’s unique wah sound, our engineers

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