
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Reverb.com
Other / Modern / year unspecified
€64
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Reverb.com ↗Buy with our assistance →Last observed 11 Sept 2026. Last verified as available on the seller's page 27 Oct 2026. Confirm current availability with the seller.
From the listing
The Fuzz Works 7 features a 9-position rotary sub switch that opens the pedal up to an astounding new bottom end as well as thin,reedy fuzzes.The fuzz works equally well with both guitar and bass signals.There’s also a second stomp switch and an associated tone control.This passive tone controloperates much the way the one on your guitar does and when the stomp switch is activated it will let you roll off the high end of the fuzz sound so you can mellow out the tone if you like.The controls of the Fuzz Works 7 are arranged in a circle around a Lexan window that reveals two rare germanium transistors, individually hand-tested for the perfect gain range and low leakage. These rare and magnificent-sounding transistors are illuminated by LEDs when the pedal is engaged.CONTROLS:KNOBS: Although the six main control knobs arenamed for the parameters over which they seem tohave the most control.They are controls for variousoperating levels and biases, and basically shapeyou a personalized fuzz.COMP:Adds attack characteristic when turned toleft, which gets softer to right, and suddenlypinches tone when all the way right.Also use totune in fat feedbacky fuzz, if you’re that kind.Lower the Stability and see what happens to thiscontrol.DRIVE:Increases distortion when used as a“normal” fuzz, and adjusts feedback pitch andtonal thickness, if you’re that kind. This controlbecomes meaningless when Compress is all theway right.STAB: Use all the way right. Do not attempt to adjust this control below 2:00, unless you like your fuzzsoft and squishy. Use to con-trol feedback pitch.FAT: a nine-positionrotary switch that controls the internal tone of thefuzz, getting fatter and subbier to the left and thinner and reedier to the right. This switch will obviouslychange the oscillation range of the pedal as well,when the other knobs are set to an oscillating orsquealing tone.TONE: This knob is activated by the left stompswitch. It’s a pas-sive tone control that mellows outthe high end of the
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Other · Acoustic guitar
1979 · vintage, per listing
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