
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Chicago Music Exchange
Other / Modern / year unspecified
$220
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Chicago Music Exchange ↗Buy with our assistance →Last observed 26 Oct 2026. Last verified as available on the seller's page 28 Oct 2026. Confirm current availability with the seller.
From the listing
Listen to any recording from the ’70s and you’ll most likely hear the sound of a plate reverb, a giant mechanical contraption roughly the size of a king size bed. It was ubiquitous in the studio, and was the only reverb used on Pink Floyd’s iconic Dark Side of the Moon album for example. What made plate reverb so cool? It adds lush ambience, dimension, thickness, and depth in an unobtrusive way. When you listen to your favorite albums from the 70s you probably don’t even realize how much plate reverb you are hearing. Go back and listen and hone in on the reverb sound and you’ll probably be surprised how much reverb is actually there. In the studio the plate reverb signal was often processed on the way back to the console where the things like filtering and delays were applied. HIGH PASS: The HIGH PASS control gradually filters out lower frequencies as it is increased. If you find the signal to be muddy, you can turn up the HIGH PASS control for increased clarity and a more detailed reverb sound. MIX: The MIX control allows you to dial in the amount of effected signal, from completely dry to 100% wet. TIME: The TIME control adjusts the length of the reverb tail, from a short “small room” type decay to an almost infinite pad of soupy fog. When the pedal’s internal slider switch is set to BUFF, it’s possible to bypass the pedal and play over that “infinite pad” with an unaffected signal. PRE DELAY: The PRE DELAY control adjusts the time between your dry signal and the onset of reverb reflection. As you turn the PRE DELAY knob up, you can hear the reverb detach from the dry guitar signal, up to about 100ms. If you want your guitar signal to cut through the mix more and be less obscured by the reverb tail, this is where the PRE DELAY control comes into play. VOL: The VOL knob controls the overall output volume. When the pedal’s internal slider switch is set to BUFF mode (the Talisman ships from us in this mode—see the INTERNAL CONTROLS section below for more info),
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Other · Acoustic guitar
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