
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Chicago Music Exchange
Other / Modern / year unspecified
$130
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Chicago Music Exchange ↗Buy with our assistance →Last observed 26 Oct 2026. Last verified as available on the seller's page 28 Oct 2026. Confirm current availability with the seller.
From the listing
Our Epoch Boost needs little introduction: it’s our version of the Echoplex EP-3 preamp, featuring crystal-clear tonal enhancement with all the funky output filtering and supply voltage that gave the original tape unit its distinct flavor. An added boost gives you a kick when you need it, but keeping that control at zero gives you pure Echoplex tone. It’s our preeminent always-on device, running at the original 22V operating voltage to give you a high-headroom punch that sounds great anywhere you put it. You’ve heard the rumors: Some of rock ‘n’ roll’s greatest tones were achieved without pedals. Not so fast! While that’s technically true, some of the most venerable guitar gods relied on an old tape echo unit to help achieve their legendary tones. This unit is the Maestro Echoplex EP-3. While some guitarists made great use of its echo effect, others dragged one to every gig just for its magical preamp. This preamp circuit was wired always-on, and so even those using it as an echo effect received significant tonal enhancements from the preamp circuit as well. Everyone from Eddie Van Halen to East Bay Ray of the Dead Kennedys relied on the EP-3 preamp to take their sound to previously unreachable heights. And now you can also, with our Epoch Boost. CONTROLS PREAMP: Because the "Early" EP-3 models total less than 500 units, it's very likely that most people have never experienced the sweep of this control, but here goes. Instead of being a standard volume control, the Preamp control pans between two different signal paths: the combination of the preamp and the mixer circuit, and something similar but different. The result is a volume control on the first half, and a rudimentary frequency enhancement on the second half. Anything above noon on the Preamp control will gently push different frequency bands, with the most perceived loudness halfway between 2 and 3 o'clock. Think of it as a pickup selector control or or a very unique EQ control. BOOST: While the Preamp kno
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Other · Acoustic guitar
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