
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Reverb.com
Other / Modern / year unspecified
€465
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Reverb.com ↗Buy with our assistance →Last observed 24 Oct 2026. Confirm current availability with the seller.
From the listing
Bootleggerguitar.com TOMMY STILLWELL: Touring guitarist with Shaun Murphy Band - Nashville, TN We now have Blues 20 head and cabinet and Blues 50 head all Dumble Clone Hand Wired Amps Studio session player / songwriter / producer Tube Amps and Effect Pedals We offer our collection of ANALOG TUBE GREATNESS. Our Rules 1 Tube driven. 2 The Gain Control actually works, unlike most amps today It drives the tubes to nasty-ness, or back off and find your crunch. 3 Dependable Gig, Stage, Studio, Roadhouse, the more whiskey stains the better it will get. 4 Not an “Fn” Computer. You turn knobs and the sound changes, not a digital signal. 5 High quality builds TOMMY STILLWELL: Touring guitarist with Shaun Murphy Band - Nashville, TN Let me start out by stating that I have been a fan of the Bootlegger Blues 30 guitar amp for over three years now. Ever since I got my Blues 30 single 12 combo and took it out on tour it has been a workhorse in tone and stability over the rigors of travel. It is also a very aesthetically pleasing amp to look at with its unique brown tolex and white piping. It has served me well at shows before crowds ranging from 500 to 20,000 people. Always got queries from other performers on the bill who had been out front and commented on how great the amp sounded. With the bigger shows and larger crowds, I would sometime consider what it would be like to have a Blues 30 head pushing a two twelve cabinet for a little extra punch onstage. Though the front of house mix always came through for the audience, a bit more coverage onstage would help increase my tonal capabilities. Chuck Wilson at Bootlegger was way ahead of me. He was already in the planning stages for a Blues 30 Head you could match with any 8-ohm cabinet load. Since he was in that mode, I suggested while he was at it, why not make the FAT switch on the control panel foot switchable as well? enabling a player to get that added boost and touch of "girth" in tone by simply hitting a footswitch.
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Other · Acoustic guitar
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