
Other · Acoustic guitar
1979 · vintage, per listing
D'Aquisto MERLOT Pair: 1979 Flat Top Delux 16" Merlot #109 & 1977 New Yorker Merlot #1114
$450,000
Rudy’s Music · US

Listing photo · Echo Tone
Other / Modern / year unspecified
A$489
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Echo Tone ↗Buy with our assistance →Last observed 28 Oct 2026. Confirm current availability with the seller.
From the listing
The STORKN BOKS is a modified/ augmented version of our Stonk Box pedal, created in collaboration with the main inspiration of the Stonk Box, legendary experimental guitarist and composer David Torn! STORKN BOKS is a confused/- confusing and vaguely nordic mashup of "Stonk Box" and "Torn". It utilizes our automatic thermal bias, so after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. The color of the LED indicator light might change. Don’t turn the internal trimmer. The STORKN BOKS started as a tweaked version of the Stonk Box, our heavily modified version of a Tone Bender mk1 Fuzz. When designing the Stonk, we reached out to David to help, since he is one of the most famous and discerning users of that original 60s circuit. David loved what we came up with, but for his personal pedal he requested more bass on tap, mostly for amplifying the sub frequencies of his down tuned guitars. We added a variable bass control, that effectively fades between the thinned out bass sound of the first version of the Zonk Machine (what the Stonk comes with stock), and the wide open sound of the mk1. The addition of more bass allows for even more gnarly, gated, gnarly and crushing Fuzz Tones than the Stonk Box could do stock. The other major difference between the Stonk and the STORKN BOKS is the addition of a unique positive feedback switch. Knowing David and other unconventional guitarists were going to get a little weird with the pedal, Chris applied a misremembered idea from his lead tech and unconventional guitarist in his own right Carson McWhirter.... He used a diode network in the oscillation path to get weird sub tones, synthy filter sounds and basically the ability to ruin a perfectly good set with the press of a button. It is powerful magic. We honestly can't recommend pressing this button, but if you do, use the fuzz right after your guitar, and make sure to twist every knob including your onboard volume and tone. We won't spoi
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Other · Acoustic guitar
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Rudy’s Music · US

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