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Barber Electronics Tone Press V6 Compressor Guitar Effects Pedal - CHUCKSCLUSIVE GOLD

Listing photo · Chuck Levin’s Washington Music Center

Other / Modern / year unspecified

Barber Electronics Tone Press V6 Compressor Guitar Effects Pedal - CHUCKSCLUSIVE GOLD

$200

Seller's listed price. Shipping, import charges and taxes may apply.

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Last observed 27 Oct 2026. Confirm current availability with the seller.

Brand in listing
Other
Category
Effects unit
Condition
Not specified by the source
Source country
US
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From the listing

Seller's description

Get Tone and Sustain with 'Plug & Play' Performance - The Barber Electronics Tone Press V6 Compressor Guitar Effects Pedal in CHUCKSCLUSIVE GOLD Bringing together the very best of classic guitar compression and time-honored recording techniques, the Barber Tone Press is a revolutionary performance compression pedal that has no rival. Volume adjusts overall level of the Tone Press Blend adjusts the mix of clean and compressed guitar Sustain adjusts the level of squash from the compressor Subtlety-switches: The left toggle-switch adjusts “speed”. The left setting is “fast”, and flipping the toggle to the right is classic response. The fast setting works best for percussive playing and its effect is less audible as you blend in your clean sound. The Toggle on the right is for brilliance, when the toggle is set to the left you get a normal EQ response, near flat. Flipping the right toggle to the right position gives a slight lift to the highest frequencies to help add a little bounce to the top after compression and can be helpful with darker amps or overwound pickups. Both of these switches are subtle and most audible when paired with guitars and amps that have an articulate reproduction of sound. A Remarkable Tonal Breakthrough In research and development, Barber studied the problems associated with classic guitar compressors and their recent clones and found that, while the clone-makers build pedals with improved components (cleaner switching, in particular) and matched transistors, a few of the major drawbacks of those “vintage” designs still exist. The most glaring drawback of popular classic compressors is that they reverse the guitar’s phase and cause a “pop” that squashes the attack at the beginning of every note. Although you now see some compression units that have attack controls, they leave a bit to be desired as they require seemingly endless trial and error tweaking , and still no true solution to gracefully removing the artificial pop when striking

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