1962 ES-330 Reissue - Sixties Cherry

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From Gibson: "Many Gibson models changed subtly over the years. One example is the Gibson ES-330™, which was introduced in 1959. By 1962, the model had noticeable changes compared to the earliest versions. While the ES-330 shares many similarities with its close cousin, the Epiphone Casino™, the ES-330 actually predates it; the Casino wasn’t introduced until 1961. Now, after an eight-year hiatus, Gibson Custom is proud to bring the 1962 ES-330 Reissue back to the core lineup of Gibson Custom Historic Reissues. The 1962 ES-330 Reissue features a fully hollow thinline body crafted from three-ply maple/poplar/maple. Unlike the similar-looking ES-335, the ES-330 lacks a maple centerblock, giving it a livelier, more resonant response and much greater acoustic volume when played unplugged, making it one of the greatest “couch guitars” of all time. The 1962 ES-330 Reissue features a one-piece mahogany neck with a SlimTaper™ 60s C profile, which is slimmer and less rounded than that of ES-330s from 1959. The one-piece, bound rosewood fretboard is equipped with 22 authentic medium jumbo frets and is adorned with cellulose small-block inlays, rather than the plainer dot inlays of earlier ES-330 models. The neck joins the body at the 16th fret, just as with the originals from 1962, resulting in an optimized bridge placement. A pair of P-90 pickups with black Dogear covers powers the 1962 ES-330 Reissue, with the bridge pickup having standard windings and an Alnico 3 magnet, while the neck pickup is underwound and is equipped with an Alnico 5 magnet, resulting in a perfectly balanced set. Each pickup is hand-wired to individual volume and tone controls using CTS® potentiometers and paper-in-oil tone capacitors. A Switchcraft® three-way pickup selector toggle switch and 1/4” output jack complete the electronics. Feedback? Sure. Any fully hollow guitar is more prone to feedback than a solidbody or semi-hollowbody, and isn’t an ideal choice for ultra-high gain or situations t