
Ibanez · Electric guitar
1987 · vintage, per listing
Ibanez 1987 JEM777 verde lago Ness #623 de 777 firmado a mano por el propio Steve Vai
€13,837
eBay (EU) · JP
![[SN 260601185] Ibanez / EHB1005MS-BKF [10]](https://cdn.shopify.com/s/files/1/0652/2247/6028/files/e4213e243da9497baffb3e0db8a3f167_202608107432136.jpg?v=1786352922)
Listing photo · Ishibashi
Ibanez / Modern / year unspecified
$939
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Ishibashi ↗Buy with our assistance →Last observed 28 Oct 2026. Confirm current availability with the seller.
From the listing
“EHB” The Ultimate Ergonomic Headless Bass: 5-String Multiscale Model - The EHB body design is ergonomically engineered to fit the player perfectly, whether playing standing or seated - A body contour designed for playing comfort, combined with chambered construction that allows for a more intuitive feel of the body’s resonance - A scooped body back on the high-string side of the horn that improves access to the high frets - American basswood body - Roasted maple and walnut 5-piece neck with graphite reinforcement rod - Roasted bird’s-eye maple fingerboard with stainless steel frets and glow-in-the-dark side position inlays -Bartolini BH2 pickup - Vari Mid 3-band EQ with EQ bypass switch - MR5HS Monorail Bridge / Newly developed headpiece designed for EHB -Schaller S-Locks strap pins / Neutrik locking jack -Soft case for electric guitar included The EHB body design is ergonomically engineered to provide the player with perfect balance, whether playing standing or seated The horn is shaped to balance the body and neck when playing standing up and to be easy to hold, while the body curve on the high-string side was designed with a particular emphasis on fit and balance when playing seated. The area of the body surface where the elbow rests has been contoured with a slight slope. In addition, all body edges that come into contact with the body are finished with a smooth radius. The back of the body features a bold cut that tapers toward the low strings. This is designed to improve the fit when playing seated, while also taking into account the viewing angle of the fingerboard inlays. In addition, to facilitate access to the high-fret area, the back of the horn on the treble side is cut in a scooped shape. Chambered construction for a more visceral sense of the body’s resonance By physically feeling the vibrations inside the body, just as with a hollow-body guitar, the player can better recognize the sound they are producing. This also results in a
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