
Gibson · Electric guitar
1959 · vintage, per listing
Gibson 1959 Les Paul Standard, Left-Handed
$750,000
Rudy’s Music · US

Listing photo · Chuck Levin’s Washington Music Center
Gibson / Reissue / vintage-inspired
$4,999
Seller's listed price. Shipping, import charges and taxes may apply.
View offer at Chuck Levin’s Washington Music Center ↗Buy with our assistance →Last observed 28 Oct 2026. Confirm current availability with the seller.
From the listing
A Celebration of 100 Years of Gibson Flat-Top Acoustic Guitars - The Gibson Custom Shop Limited Edition Anniversary L-1 Mahogany/Red Spruce Acoustic Guitar in Cremona Burst It has been 100 years since the first Gibson flat-top acoustic guitars were introduced—the Gibson L-0 and L-1, which were released in 1926, set the standard for all Gibson flat-top guitars to follow. In celebration of that milestone and the introduction of these groundbreaking acoustic models, Gibson Custom is proud to introduce the L-1 Anniversary Limited Edition, a loving homage to those early Gibson flat-tops. While it has been seen in the hands of numerous musicians, including Jeff Buckley, Scrapper Blackwell, Norman Blake, Hubert Sumlin, and Keith Richards, to name a few, the L-1 is probably most closely associated with legendary bluesman Robert Johnson, who, in one of the few authenticated photos of him, can be seen playing a sunburst L-1 with a 12-fret neck. With its small body, 12-fret neck, and distinctive tonal warmth, the L-1 is an ideal guitar for the blues. While it sounds great when played with a flatpick, it’s also an exceptional guitar for fingerstyle playing. The L-1 Anniversary Limited Edition is crafted at the Gibson Custom Shop in Bozeman, Montana. It features the L-1’s distinctive body shape, crafted from solid mahogany for the back and sides, with a thermally aged red spruce top and scalloped x-bracing. The L-1 Anniversary Limited Edition is replete with cream binding, which appears on the top and back, along the sides of the ebony fretboard, as well as around the headstock perimeter. Even the sound hole edge features cream binding. The 25” scale mahogany neck joins the body at the 12th fret, has a Historic V profile, and is fitted with an ebony fretboard with 19 standard frets and dressed up with mother-of-pearl dot inlays. A quick note about the 12-fret neck: our current acoustic portfolio consists almost entirely of guitars with necks that join the body at the 14th fre
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