1966 Martin D-21 Brazilian Rosewood Acoustic Guitar, (Used)

£10,499

Seller's listed price. Shipping, import charges and taxes may apply.

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Last observed 28 Oct 2026. Confirm current availability with the seller.

Brand in listing: Martin
Category: Acoustic guitar
Condition: Used
Source country: GB
Year in seller's title: 1966

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From the listing

Seller's description

The 1966 Martin D-21 is a highly desirable vintage American dreadnought combining the power and projection of Martin’s classic rosewood construction with the understated appointments that made the D-21 one of the company’s most distinctive post-war models. Built in Nazareth, Pennsylvania, this guitar features a solid Sitka spruce top, solid Brazilian rosewood back and sides, mahogany neck and Brazilian rosewood fingerboard, delivering the deep low end, clear projection and complex harmonic response for which vintage Martin dreadnoughts are so highly regarded. This guitar has undergone a professional neck reset, helping maintain the correct neck angle and long-term playability expected from a properly maintained vintage acoustic. There are also two previously repaired cracks to the back, both of which have been repaired using hide glue. This Pre-Owned vintage Martin is in Very Good condition, weighs an actual 4.68 lbs, and includes a hardcase. AT A GLANCE Detail | Specification | Brand | Martin | Model | D-21 | Year | 1966 | Type | Vintage Dreadnought Acoustic | Top | Solid Sitka Spruce | Back & Sides | Solid Brazilian Rosewood | Fingerboard | Brazilian Rosewood | Neck Work | Professional Neck Reset | Repairs | Two Repaired Back Cracks | Repair Adhesive | Hide Glue | Weight | 4.68 lbs | Condition | Very Good / Vintage Pre-Owned | Case | Hardcase Included | PRE-OWNED / VINTAGE CONDITION REPORT This is a Pre-Owned 1966 Martin D-21 in Very Good condition. As expected from a genuine vintage acoustic approaching six decades of age, there are signs of previous ownership and natural cosmetic ageing. The guitar has undergone a professional neck reset, an important maintenance procedure on vintage flat-top acoustics that restores the correct relationship between the neck, bridge and soundboard. There are also two cracks on the back of the guitar that have previously been repaired using hide glue. These repairs form part of the guitar’s history and are

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