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1966 Fender Telecaster

Listing photo · Reverb.com

Fender / 1966 · vintage, per listing

1966 Fender Telecaster

€13,645

Seller's listed price. Shipping, import charges and taxes may apply.

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Last observed 18 Sept 2026. Last verified as available on the seller's page 24 Oct 2026. Confirm current availability with the seller.

Brand in listing
Fender
Category
Electric guitar
Condition
Used
Source country
Not specified
Year in seller's title
1966
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From the listing

Seller's description

As early as 1950, Fender became the first company to successfully market solidbody electric guitars. Since then, the two-pickup, single-cutaway Telecaster has remained a simple, yet effective design that delivers versatile tones. There's a reason why players of all genres gravitate towards the Telecaster—its tone is transparent, dynamic, and straightforward. It seems to do everything well. There's nothing quite like a good, played-in vintage Telecaster, and if you don't agree, this '66 Tele will make you a believer! It was owned by Drew Emmitt who used it on stage with Leftover Salmon so you may have seen it at the Telluride Bluegrass festival! Its Olympic White finish has faded into a gorgeous butterscotch blonde, and it has a rosewood fingerboard. It is nicely lightweight at 6 lbs 14.2 oz. At some point along the way, the body was routed to accommodate a humbucker in the neck position and a middle pickup. The middle cavity has been filled with Ash blocks, and the neck has been partially filled but left wide to accommodate experimentation with other pickups. The bridge cavity was never routed, so it's still in its original, unaltered state. Currently, there's a '60s neck pickup that may be original, and it has a flat-pole bridge pickup that is voiced more like an early-'50s blackguard bridge. The pickup resistance measures 7.02 k ohms at the neck and 6.88 k ohms at the bridge.  The bridge is original, but Drew set it up with intonated brass saddles, which makes the guitar much more suitable for recording and performance. He also had a new bone nut made for it, and the fingerboard has been refretted with medium jumbo frets. It plays like an absolute dream—the setup is perfect, and the finish on the back of the neck is worn smooth so it feels like bare wood. The neck dates to March of '66, and it is marked with a B. The carve is a nice C with perhaps a hint of V down the middle. The pots both date to the 9th week of '66, and the switch is a modern replacement. A tre

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