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1931 Martin C-2, Shaded Top

Listing photo · ATB Guitars

Martin / 1931 · vintage, per listing

1931 Martin C-2, Shaded Top

£5,995

Seller's listed price. Shipping, import charges and taxes may apply.

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Last observed 28 Oct 2026. Confirm current availability with the seller.

Brand in listing
Martin
Category
Acoustic guitar
Condition
Not specified by the source
Source country
GB
Year in seller's title
1931
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From the listing

Seller's description

A rare and beautifully preserved piece of Martin history, this 1931 Martin C-2 is one of the cleanest and most original examples we've had. Introduced in 1931 as part of Martin’s first foray into archtop guitars, the C-series consisted of the C-1 (mahogany), C-2 (rosewood), and the more ornate C-3 (rosewood with gold hardware). All three shared a hand-carved, round-soundhole top, flat back, and a 25.4" scale length—rooted more in Martin's flattop heritage than the louder, punchier f-hole designs that were quickly defining the archtop market. At 15" across the lower bout, with a body depth ranging from 3 3/8" to 4 1/8"—the C-2 was modestly sized for an archtop. Compared to Gibson’s L-5 at 16" wide (soon hit 17"), the Martin felt more intimate and was acoustically more refined, though notably less powerful. That gentler, more lyrical tone proved a tough sell in an era dominated by big band volume demands, and by late 1932 Martin had shifted toward f-hole designs, making early roundhole C-series models like this one relatively scarce today. This particular example is in excellent shape. It features a tight-grained, hand-carved Adirondack spruce top, stunning figured bookmatched Brazilian rosewood back and sides, and a single-piece Mahogany neck. The ebony fingerboard is bound and inlaid with elegant mother-of-pearl snowflakes, paired with a vertical “C.F. Martin” peghead logo. Triple body binding, a shaded top finish, original Grover Sta-Tite tuners, floating Ebony bridge and trapeze tailpiece round out the spec. Many surviving C-series Martin's have been converted to OM flat tops, making clean, original examples like this one a fairly rare find. Sonically, it delivers a warm, articulate voice with more richness and nuance than its Gibson contemporaries—ideal for fingerstyle and chord-melody playing.  A remarkable piece of Martin’s early experimentation as they enter their golden era, this 1931 C-2 offers not just a window into the company’s transitionary years but

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